Sinhala Film Analysis 🎬πŸŽ₯

 

Ho Gana Pokuna 



Film Analysis 

Ho Gana Pokuna  is a 2015 Sri Lankan children's musical drama film written and directed by Indika Ferdinando.It depicts a teacher in a remote village, Uma (Anasuya Subasinghe), teaching her students to focus on something they have never seen before.


Summary  of the film 


A new teacher Uma (Anasuya Subasinghe) arrives at a school in a remote village near Dambulla, Sri Lanka with her first appointment.  There are few students in the school, only the principal (Lucian Bulathsinhala) and the teacher Uma. With Uma's help, the students gradually begin to dream of bigger things than they ever imagined.


 One day, Upuli, a blind girl, shares her unrealized dream with school friends Sukiri and Ukkun. It gradually becomes the village-wide dream. The children and Uma face dangers in their venture to realize this dream. School children begin to pay attention to something they have never seen before. This goal creates a small revolution



Character of the film 



Anusuya Subasinghe as Uma

Lucien Bulathsinhala as School principal

Jayalath Manoratne as Bus driver Justin

Dayadewa Edirisinghe as Gramasevaka

Jayani Senanayake as Chithra, Gramasevaka's wife


Child actors




Thishakya Kumaratunga

Anjali Methsara as Blind girl

Sathsara Jayasuriya

Nethpriya Manubhashitha

Senith Valpotagamage


Sound track


The sound track of the movie was released on M Entertainment music. The musical score has been admired by the Hanoi film jury and Chicago media journalists.[citation needed] The soundtrack was recorded by Rajeewa Jayawickrama and finalised by Shashika Ruwan Maarasinghe in Chennai.

"Atha Pena Deta Wada" Dewmini Fernando, Thrishala Wijesinghe, Banuka Senevirathna, Dinith Ridmika, Nishami Nishara 03:07

"Ho Gana Pokune" Dewmini Fernando, Thrishala Wijesinghe, Banuka Senevirathna, Dinith Ridmika, Nishami Nishara 04:23

"Hitha Purama Dagana Natana" Dewmini Fernando, Thrishala Wijesinghe, Banuka Senevirathna, Dinith Ridmika, Nishami Nishara 03:52


Conslution of the film 

The Gana Pond can be pointed out as a huge llama creation that was found after a long time. Throughout this film, the director has created this by using all the knowledge he has. Among them, a special place has been used in camera work. With all the angles that should be used, this creation is created. So these films can be pointed out as a transcendental creation.



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